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From Mechak.org (Mechak Center for Contemporary Tibetan Art)

What is this? Let that Moment Become Eternal!
New Works by the Tibetan Artist Losang Gyatso

by Woeser

Likely they had known that that moment would appear not only on televisions in many countries but also through the omnipresent internet connections. Let alone other venues, the first ten pages of a YouTube search for “Jokhang” can lead to at least nearly a score of videos that were from the footage recorded that moment. They must have known it. They must have been told in advance that reporters from foreign media (a couple dozen of them) would arrive in Jokhang that morning – for the first time in seventeen days since the temple was closed on March 10th. Everyone was ready. Authorities had assigned some of the most obedient Tibetans to cooperate. Yet, “Those worshippers, they are all cadres in disguise; it’s a cheat….,” they, those monks in Jokhang, told the truth at that moment. Apparently, they had been preparing to speak out. Nevertheless, it is impossible that they had not thought of the unpredictable price they would have to pay by doing so. As a result, their participation disclosed the episode which was orchestrated to give the impression that Tibetans are fortunate and free. While rushing out to surround reporters, they desperately yelled: “No, we don’t have freedom! The Dalai Lama is innocent….” The reporters who had been invited to tour the tightly controlled Lhasa finally saw the act which had the most shocking journalistic effect; in a matter of minutes, the authorities were left no place to hide the intention behind the show they had wanted to stage. That shocking moment was said to have lasted about fifteen minutes. I remember clearly the indescribable pain which I felt that evening when watching the short segment of that moment on the internet. I was reminded of this line by Anna Akhmatova – “The heart gives up its blood.”

Nevertheless, most likely they have not known that, months later, that moment had been recreated by an artist. Although art should be unbounded by boundaries of nation and artists are often not tied to their native place — as deities are not confined by their sex, I would still rather refer to this artist in a more restrictive and somehow assertive manner. He, Losang Gyatso (la – according to the formality of our tradition) is a Tibetan artist. The point here is “Tibet.” Although he now lives Washington, DC, although he has not returned to his native place in the Snow Lands for the past forth-nine (and soon fifty) years, he is the Tibetan artist who has through his work of art transformed that moment into six images. In the meantime, he has also created another six images to note another moment in the Labrang Monastery in Amdo, which was as crucial as the one in Jokhang. These twelve images are all modeled after monks who are recognizably Tibetan and native, and they are a great deal similar to each other. Yet, they are also apparently different. One image is more so than the other in overwhelming their beholders. I can nearly hear their voiceless cries piercing through the internet; my ears hurt.

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